Percy Goetschius (10 August 1853 Paterson, New Jersey – 29 October 1943 Manchester, New Hampshire) won international fame in the teaching of the theory of composition.Goetschius was born in Paterson, New Jersey. He was also encouraged by Ureli Corelli Hill, a conductor and violinist, who was a friend of the Goetschius family.[2] Goetschius was the organist of the Second Presbyterian Church from 1868–1870 and of the First Presbyterian from 1870–1873, and pianist of Mr. Benson's Paterson Choral Society. He went to Stuttgart, Württemberg, in 1873 to study theory in the Royal Conservatory with Immanuel Faisst, and soon advanced to become a professor. In 1885, King Karl Friedrich Alexander of Wurttemberg conferred upon him the title of royal professor. He composed much, and reviewed performances for the press. Syracuse University conferred an Honorary Music Doctorate degree up Goetschius for the academic year 1892–1893.[3] In 1892 he took a position in the New England Conservatory, Boston, and four years later opened a studio in that city. In 1905 he went to the staff of the Institute of Musical Art (Juilliard School) in New York City, headed by Dr. Frank Damrosch. Goetschius's notable pupils include Henry Cowell, Lillian Fuchs, Howard Hanson, Wallingford Riegger, Bernard Rogers, Julia Klumpke, and Arthur Shepherd. In 1917, he was elected an honorary member of Phi Mu Alpha Sinfonia Fraternity, the national fraternity for men in music, by the Fraternity's Alpha Chapter at the New England Conservatory. Less