{|Egberto Gismonti|}'s volume in the excellent {|ECM|} {|Rarum|} series contains material from seven of his ten albums for the label as a leader, none from the 124 recordings on his own label distributed by {|ECM|}. It hardly matters. {|Gismonti|} is... Read more

{|Egberto Gismonti|}'s volume in the excellent {|ECM|} {|Rarum|} series contains material from seven of his ten albums for the label as a leader, none from the 124 recordings on his own label distributed by {|ECM|}. It hardly matters. {|Gismonti|} is the most enigmatic and mercurial of the artists on the roster. Being from Rio de Janeiro, Brazil, he has made a life of delving deep into his country's magical musical framework that draws into itself and expands upon the many cultures that have intersected with it from Africa, Europe, and the United States. The music contained here finds {|Gismonti|}, ever the shamanistic gadfly conjurer, singing and playing no less than eight instruments, from percussion to guitars to flutes. The settings range from the stunning solo guitar of {|Cavaquinho,|} where {|classical|} and Indian notions dovetail one another, to more conventional quartets such as the one found on {|Ensaio de Escola de Samba|} with another guitar, cello, and double bass, or the string players on {|10 Anos,|} which features his piano playing in a {|jazz|} quartet with saxophone. And then there is {|Frevo,|} a work that reflects not only {|Gismonti|}'s knowledge and frenetic approach to counterpoint as it manifests itself in Brazilian and European {|classical|} music, but the frenzy of Carnaval as it engages his pianism to a symphony orchestra. These selections are sequenced nearly perfectly and offer a radiant and ambitious portrait of one of the most revered and misunderstood musicians {|ECM|} has ever recorded. ~ Thom Jurek Less