Social Harmony Consisting Of A Collection Of Songs And Catches. In Two, Three, Four And Five Parts, From The Works Of The Most Emi
by Thomas Hale
2021-02-04 06:13:02
Social Harmony Consisting Of A Collection Of Songs And Catches. In Two, Three, Four And Five Parts, From The Works Of The Most Emi
by Thomas Hale
2021-02-04 06:13:02
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti...
Read more
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT160107The list of subscribers and errata leaf are in letterpress; the titlepage and scores engraved. Titlepage has horizontal chain lines. Liverpool?, 1763]. 2],18, 2],31, 3],138, 2],42,62p.: engr.music; 2
Less
