Songs from the rock, to hail the approaching day, sacred to truth, liberty and peace. To which is added, the tribute of civic grat
by Richard Lee
2021-01-02 18:53:36
Songs from the rock, to hail the approaching day, sacred to truth, liberty and peace. To which is added, the tribute of civic grat
by Richard Lee
2021-01-02 18:53:36
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti...
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T226119<Notes>The author of Flowers from Sharon = Richard Lee. A reissue, with the addition of a half-title, which reads: aSongs for the year 1795, sacred to truth, liberty and peaceand a final advertisement leaf, on the recto of which is an acknowledgement to subscribers and friends. Two of the songs are dated Nov. 5, 1794 (pp. 106 and 112).<imprintFull>London: sold by Jordan; Crosby; Symonds and Parsons; Eaton; Spence; and Smith, 1795]. <collation> 6],112, 2]p.; 8
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