The Ghost, By Felix Phantom.
by See Notes Multiple Contributors
2020-12-31 07:44:32
The Ghost, By Felix Phantom.
by See Notes Multiple Contributors
2020-12-31 07:44:32
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti...
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Cambridge University Library<ESTCID>P000235<Notes>Felix Phantom identified as: Robert Heron (cf. NCBEL). Title from title page. Title repeated as caption on first page of semiweekly issues. Title page imprint appears as colophon on some, but not all, semiweekly issues. Part I imprint lacks date; year of publication from part II. Colophons vary slightly. Contents page on verso of title page. A miscellany which includes cultural essays and correspondence. At end of part 1 the author/editor makes disparaging comments about 'The Trifler'.<imprintFull>Edinburgh Scotland]: printed for G. Mudie & Son, South Bridge; Cameron & Murdoch, Glasgow; and S. Murray, Russel Court, London, 1796. <collation>2 v.; 2
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