The Psalms Of David For The Use Of Parish Churches The Words Selected From The Version Of Tate & Brady By The Revd. George Hay Dru
by See Notes Multiple Contributors
2020-12-31 04:55:02
The Psalms Of David For The Use Of Parish Churches The Words Selected From The Version Of Tate & Brady By The Revd. George Hay Dru
by See Notes Multiple Contributors
2020-12-31 04:55:02
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revoluti...
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT221934Engraved throughout apart from the preface, signed and dated: Edward Miller. Doncaster, March 1790, advertisement and list of subscribers, which are in letterpress. P. 142 does not end with "Finis"; the following 4pp. section is the 'Addenda containing sLondon: publish'd by W. Miller, 1790]. 4], xlvii, 1],142,4p.: music; 4
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