Theatre History Studies 2017, Vol. 36
by Sara Freeman
2020-12-29 18:26:38
Theatre History Studies 2017, Vol. 36
by Sara Freeman
2020-12-29 18:26:38
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival res...
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A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.
Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography. Many issues feature a special section curated around a special theme or topic; for 2017 that special section focus on histories of new writing for the theatre.
Featured in THEATRE HISTORY STUDIES 2017, VOLUME 36
- "Resisting Arlecchino''s Mask: The Case of Marcello Moretti" by Gabrielle Houle
- "Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana" by David Afriyie Donkor
- "Preparing Boys for War: J. M. Barrie''s Peter Pan Enlists in World War I''s ''Great Adventure''" by Laura Ferdinand Feldmeyer
- "Not Just Rock ''n'' Roll: Chicago Theatre, 1984-1990" by Julie Jackson
- "New Writing and Theatre History" by Sara Freeman
- "New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France" by Matthew McMahan
- "The Waterloo Summer of the Prince of Wales''s Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre" by Shannon Epplett
- "Chekhov''s Three Sisters: A Proto-Poststructuralist Experiment" by Sarah Wyman
- "Historicizing Shakesfear and Translating Shakespeare Anew" by Lezlie C. Cross
- "A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old" by Martine Kei Green-Rogers and Alex N. Vermillion
- "Making New Theatre Together: The First Writers'' Group at the Royal Court Theatre and Its Legacy Within the Young Writers'' Programme" by Nicholas Holden
- "New Writing in a Populist Context: A Play,a Pie, and a Pint" by Deana Nichols
- "American Playwriting and the Now New" by Todd London
- The Robert A. Schanke Award-Winning Essay: "Black Folk''s Theatre to Black Lives Matter: The Black Revolution on Campus" by La Donna L. Forsgren
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