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'The Edukators' Jennifer

'Stimme der Wahrheit': German-Language Broadcasting by the

'Key figure' or 'endangered species'?: The changing role of the editor in book publishing from Beatrice Davis's day through to 2008 Katharina Muders A

'Le printemps des arabes en bulles' oder Der Arabische Fruhling im Spiegel frankophoner Graphic Novels Marina

'La era de la informaciÃ³n' Vol. 2, de Castells. Una reseÃ±a literaria Ina

'Journalism's Woodstock' - Old vs. New Journalism in a decade of change: Old vs. New Journalism in a decade of

'I Am an American': Filming the Fear of Difference

'Eine massive, plumpe, wüste Eisenmasse' - Der Bau der Wuppertaler Schwebebahn in der Lokalpresse

'Dear BBC': Children, Television Storytelling and the Public Sphere Maire

'BIG BROTHER' - The 'Reality Show' as a Globalized 'Post- Documentary' Form

instagram oder #thin-stagram? Wie beeinflusst die Instagram Nutzung junger Frauen ihre Körperwahrnehmung?

FakeYou: Fake news y desinformación

FakeYou: Fake news i desinformació

Alberto Savinio e la cacarella di Giacomo Leopardi

Melinda Camber Porter In Conversation With Eugenio Montale: Milan, Italy Nobel Prize in Literature, Vol 1, No 1 Melinda

All Books

'The Edukators'

'Stimme der Wah

'Key figure' or

'Le printemps d

'La era de la i

'Journalism's W

'I Am an Americ

'Eine massive,

'Dear BBC': Chi

'BIG BROTHER' -

instagram oder

FakeYou: Fake n

FakeYou: Fake n

Alberto Savinio

Melinda Camber