The Fairy Book
By Dinah Craik
8 Jan, 2020
preface is usually an excrescence on a good book, and a vain apology for a worthless one; but, in the present instance, a few explanatory words seem necessary.
This is meant to be the best collection attainable of that delight of all children, and
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preface is usually an excrescence on a good book, and a vain apology for a worthless one; but, in the present instance, a few explanatory words seem necessary.
This is meant to be the best collection attainable of that delight of all children, and of many grown people who retain the child-heart still—the old-fashioned, time-honored classic Fairy-tale. It has been compiled from all sources—far-off and familiar; when familiar, the stories have been traced with care to their original form, which, if foreign, has been retranslated, condensed, and in any other needful way made suitable for modern British children. Perrault, Madame d'Aulnois, and Grimm have thus been laid under contribution. Where it was not possible to get at the original of a tale, its various versions have been collated, compared, and combined; and in some instances, when this proved still unsatisfactory, the whole story has been written afresh. The few English fairy tales extant, such as Jack the Giant[viii] Killer, Tom Thumb, etc., whose authorship is lost in obscurity, but whose charming Saxon simplicity of style, and intense realism of narration, make for them an ever-green immortality—these have been left intact, for no later touch would improve them. All modern stories have been excluded. Less