Letters of Franz Liszt - Volume 1: From Paris to Rome: Years of Travel as a Virtuoso
Letters of Franz Liszt - Volume 1: From Paris to Rome: Years of Travel as a Virtuoso
By Franz Liszt
11 Jan, 2019
The Austrian composer Franz Liszt (1811-1886) was a pianistic miracle. He could play anything on site and composed over 400 works centered around "his" instrument. Among his key works are his Hungarian Rhapsodies, his Transcendental Etudes, his Conce
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The Austrian composer Franz Liszt (1811-1886) was a pianistic miracle. He could play anything on site and composed over 400 works centered around "his" instrument. Among his key works are his Hungarian Rhapsodies, his Transcendental Etudes, his Concert Etudes, his Etudes based on variations of Paganinini's Violin Caprices and his Sonata, one of the most important of the nineteenth century. He also wrote thousands of letters, of which 260 are translated into English in this first of a 2-volume set of letters.
Those who knew him were also struck by his extremely sophisticated personality. He was surely one of the most civilized people of the nineteenth century, internalizing within himself a complex conception of human civility, and attempting to project it in his music and his communications with people. His life was centered around people; he knew them, worked with them, remembered them, thought about them, and wrote about them using an almost poetic language, while pushing them to reflect the high ideals he believed in.
Excerpt......
My very dear Master,
When I think of all the immense obligations under which I am placed towards you, and at the same time consider how long I have left you without a sign of remembrance, I am perfectly ashamed and miserable, and in despair of ever being forgiven by you! "Yes," I said to myself with a deep feeling of bitterness, "I am an ungrateful fellow; I have forgotten my benefactor, I have forgotten that good master to whom I owe both my talent and my success."…At these words a tear starts to my eyes, and I assure you that no repentant tear was ever more sincere! Receive it as an expiation, and pardon me, for I cannot any longer bear the idea that you have any ill-feeling towards me. You will pardon me, my dear Master, won't you? Embrace me then…good! Now my heart is light.
You have doubtless heard that I have been playing your admirable works here with the greatest success, and all the glory ought to be given to you. I intended to have played your variations on the "Pirate" the day after tomorrow at a very brilliant concert that I was to have given at the theater of H.R.H. Madame, who was to have been present as well as the Duchess of Orleans; but man proposes and God disposes. I have suddenly caught the measles, and have been obliged to say farewell to the concert; but it is not given up because it is put off, and I hope, as soon as ever I am well again, to have the pleasure of making these beautiful variations known to a large public. Less